This work concerns the ageless allegory of death and an afterlife as a homecoming at the end of life’s journey. The security associated with our actual homes might suggest the existence of some ultimate refuge of total contentment. Ironically of course, one must forego all comfort and security to get there. The idea of an afterlife has always harbored this dilemma; death is the price of admission.

Photographing model houses in studio dioramas, I’ve tried to disorient the viewer to suggest an ambivalent view of a supposedly ideal destination. In the ambiguous world of these pictures, I want home to seem inviting yet ominous, close but inaccessible, familiar and full of mystery.

The pictures are a meditation on domesticity, mortality and the eternal tension between real and ideal.